This page is a temporary page to give collectors a preview of the upcoming exhibit. The full page for Within / Without will remain on the website once the exhibit begins.
Within / Without
Preview (collector's advance viewing)
This preview gives you the opportunity to view and purchase the pieces in the exhibit before it opens to the public.
Purchases are on a first contact basis, so consider a back up option if your first option is no longer available.
Purchases are on a first contact basis, so consider a back up option if your first option is no longer available.
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Opening Reception September 18th, 2021 4pm-6pm Closing Reception October 23rd, 2021 4pm-6pm Show runs from - September 18th, 2021 - October 23rd, 2021 |
Within/Without video overview
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A total of 50 pieces in the exhibit. (25 from each artist)
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The images below show the work in the exhibit as it would also appear on the wall.
(Lighting may vary)
To see the work in person, contact the gallery to schedule a visit, or stop by during gallery hours.
Tues 10am-2pm
Fri 4pm-7pm
Sat Noon-4pm
(Lighting may vary)
To see the work in person, contact the gallery to schedule a visit, or stop by during gallery hours.
Tues 10am-2pm
Fri 4pm-7pm
Sat Noon-4pm
Call or email to make a purchase or schedule a visit to the gallery.
A reminder, purchases are on a first contact basis, so consider a back up option if your first option is no longer available.
A reminder, purchases are on a first contact basis, so consider a back up option if your first option is no longer available.
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Andrea Huppert
Summer Garden #1, 24” x 20”, 2018, Encaustic on panel $750 Andrea Huppert
Summer Garden #4, 24” x 20”, 2018, Encaustic on panel $750 Andrea Huppert
Winter’s Heart #1, 24” x 24”, 2017, Encaustic and tree roots on panel $900 Andrea Huppert
Winter’s Heart #2, 24” x 24”, 2017, Encaustic and tree roots on panel $900 |
Marianne Calenda
Summer Amber, 20” x 16” (framed 31”x25”), 2021, Acrylic & soft pastel on paper $600 Marianne Calenda
Autumn Hush, 14” x 11” (framed 21.5”x17.5”), 2020, Acrylic & pastel on paper $385 Marianne Calenda
Sheared, 20” x 16” (framed 31”x25”), 2021, Acrylic & soft pastel on paper $600 Marianne Calenda
Susquehanna Song, 24” x 11” (framed 21.5”x17.5”), 2020, Acrylic & pastel on paper - $385 |
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Andrea Huppert
Uncracked, 10” x 10”, 2020, Encaustic on panel $275 |
Andrea Huppert
Thin Bridge, 10” x 10”, 2021, Encaustic on panel $275 |
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Marianne Calenda
River Spirit, 8” x 10” (framed 12.5”x15.5”), 2020, Acrylic & conte on paper $295 Marianne Calenda
Milton Grove, 8” x 8” (framed 17.5”x17.5”), 2020, Pen & alcohol marker on paper $350 Marianne Calenda
Willow Point, 8” x 8” (framed 17.5”x17.5”), 2020, Pen & alcohol marker on paper $350 Marianne Calenda
Conewago Snow, 8” x 8” (framed 17.5”x17.5”), 2020, Pen & alcohol marker on paper - $350 Marianne Calenda
Old Hershey Road, 20” x 16” (framed 21”x17”), 2021, Acrylic on linen $550 Andrea Huppert
Holding Onto Blue, 24” x 20”, 2020, Encaustic & ink on panel $750 Marianne Calenda
Country Sides, 18” x 24” (framed 19”x25”), 2021, Acrylic on canvas $600 🔴 SOLD Andrea Huppert
Fall 2020, 30” x 24”, 2020, Encaustic on panel $950 Andrea Huppert
We Are All Canaries, 24” x 24”, 2020, Encaustic, watercolor, collage, & birds on panel - $900 Marianne Calenda
Lancaster Pink, 20” x 16” (framed 21”x17”), 2020, Acrylic & charcoal on canvas $550 🔴 SOLD Andrea Huppert
Gold Coast #27, 24” x 24”, 2019, Encaustic & crayon on panel $900 Marianne Calenda
Winter’s Soul, 14” x 11” (framed 21.5”x17.5”), 2021, Acrylic & soft pastel on paper $385 Marianne Calenda
Hoffer Creek, 12” x 12” (framed 19.5”x19.5”), 2021, Acrylic & soft pastel on paper $450 Marianne Calenda
Conewago Gold, 14” x 11” (framed 21.5”x17.5”), 2020, Acrylic & pastel crayon on paper - $385 Andrea Huppert
Voices Green & Purple #2, 14” x 11”, 2019, Encaustic & crayon on panel $400 Andrea Huppert
Voices Green & Purple #4, 14” x 11”, 2019, Encaustic & crayon on panel $400 Marianne Calenda
November Herald, 10” x 10” (framed 19.5”x19.5”), 2020, Acrylic & pastel on paper - $375 Andrea Huppert
Drifted, 18” x 18”, 2015, Encaustic on panel $550 Andrea Huppert
Afloat, 18” x 18”, 2015, Encaustic on panel $550 Marianne Calenda
Blue Rock, 16” x 20” (framed 24”x20”), 2021, Acrylic on panel / Plein air $600 |
Andrea Huppert
Rockscape #1, 24” x 30”, 2017, Encaustic & paper clay on panel $900 Andrea Huppert
Freeze / Thaw #1, 24” x 24”, 2018, Encaustic & collage on panel $900 Andrea Huppert
Freeze / Thaw #2, 24” x 24”, 2018, Encaustic & collage on panel $900 Andrea Huppert
Rockscape #2, 24” x 30”, 2017, Encaustic & paper clay on panel $900 Andrea Huppert
Coal Strikes, 24” x 24”, 2020, Encaustic & ink on panel $900 Marianne Calenda
Mapledale, 16” x 12” (framed 17”x13”), 2021, Acrylic & charcoal on cradled board $450 Andrea Huppert
Uprooted #1, 18” x 18”, 2017, Encaustic, roots, & nest on panel $650 Andrea Huppert
Uprooted #2, 18” x 18”, 2017, Encaustic, root, & bird on panel $650 Marianne Calenda
Palmyra Pink, 18” x 24” (framed 19.5”x25.5”), 2020, Acrylic & charcoal on canvas $600 Marianne Calenda
Winter’s Finale, 18” x 18” (framed 19”x19”), 2021, Acrylic on canvas $600 Marianne Calenda
Winter Haze, 16” x 14” (framed 19”x15”), 2021, Acrylic on canvas $450 Marianne Calenda
Susquehanna Journey, 11” x 14” (framed 17.5”x21.5”), 2020, Acrylic on paper $385 Marianne Calenda
Morning Thaw, 10” x 8” (framed 17.5”x21.5”), 2021, Acrylic & charcoal on paper $385 Andrea Huppert
Voices Green & Purple #1, 14” x 11”, 2019, Encaustic & crayon on panel $400 Andrea Huppert
Voices Green & Purple #3, 14” x 11”, 2019, Encaustic & crayon on panel $400 Marianne Calenda
Habitat, 14” x 11” (framed 23”x19”), 2021, Acrylic & soft pastel on paper $400 Marianne Calenda
Conewago Harvest, 10.5” x 10.5” (framed 19.5”x19.5”), 2020, Acrylic & conte on paper - $375 Andrea Huppert
Beyond Eddy, 18” x 18”, 2015, Encaustic on panel $550 Andrea Huppert
In Between, 18” x 18”, 2015, Encaustic, collage, & leaf on panel $550 Marianne Calenda
Last of May, 20” x 16” (framed 20”x24”), 2021, Acrylic & charcoal on panel $600 |
Statements
Andrea Huppert
Most often, my inspiration is culled from the natural environment observed on my daily hikes and other travels.
My mixed media works often incorporate visually metaphoric imagery such as twigs, nests and birds, paired with abstract patterns and forms that allude to opposing forces and constant change.
I begin my process by making numerous drawings and color sketches from my memories. From these I choose compositions and mutable materials that express the emotional impact of tension and harmony and echo the tentative nature of our landscapes, within and without.
Marianne Calenda
“Nature shows us the way within and without.”
During pandemic limitations on travel and social contact could have easily overwhelmed; however, I found comfort and creative direction from daily hikes, country drives and a new commitment to plein air painting. As I began to explore the diversity of the local Conewago Creek watershed and connecting woodlands and preserved farmlands, I was captivated by the lively textures and layers of its seasonal displays, the unique personalities of trees and brambles and how man-made structures punctuate the space. I’m convinced of the restorative power of nature and humbled by the opportunity to convey a shared experience with the viewer. My work has been described as transporting, peaceful and poetic.
I work primarily with aqueous media usually combined with soft pastel and charcoal. While I enjoy the challenge and camaraderie of painting en plein air, I sometimes prefer to get lost in the studio thinking about a composition or experimenting with new techniques to further enhance the illusion of the landscape.
Most often, my inspiration is culled from the natural environment observed on my daily hikes and other travels.
My mixed media works often incorporate visually metaphoric imagery such as twigs, nests and birds, paired with abstract patterns and forms that allude to opposing forces and constant change.
I begin my process by making numerous drawings and color sketches from my memories. From these I choose compositions and mutable materials that express the emotional impact of tension and harmony and echo the tentative nature of our landscapes, within and without.
Marianne Calenda
“Nature shows us the way within and without.”
During pandemic limitations on travel and social contact could have easily overwhelmed; however, I found comfort and creative direction from daily hikes, country drives and a new commitment to plein air painting. As I began to explore the diversity of the local Conewago Creek watershed and connecting woodlands and preserved farmlands, I was captivated by the lively textures and layers of its seasonal displays, the unique personalities of trees and brambles and how man-made structures punctuate the space. I’m convinced of the restorative power of nature and humbled by the opportunity to convey a shared experience with the viewer. My work has been described as transporting, peaceful and poetic.
I work primarily with aqueous media usually combined with soft pastel and charcoal. While I enjoy the challenge and camaraderie of painting en plein air, I sometimes prefer to get lost in the studio thinking about a composition or experimenting with new techniques to further enhance the illusion of the landscape.
Biography
Andrea Huppert (b. 1948) is a Baltimore, Maryland native, and has studied painting at the Maryland Institute College of Art, The Towson Fine Art School, Harford Community College and independently with a variety of professional instructors. Though her early painting style was traditional realism rendered in oil she chose to change her medium to watercolor and began exhibiting in 1984. During this time she gained acceptance into many juried competitions and won numerous awards. While an active member of several Watercolor societies she helped establish and run a co-operative gallery in Baltimore for four years. In 1996 she began to destroy and re-purpose unresolved watercolor and acrylic paintings adding layers of collage. These collages evolved into wall-hung dioramas that incorporated painted papers and fabrics, found objects and small hand built sculptures which she continued to explore until 2003. After an extended exhibition hiatus, she resumed two-dimensional painting primarily in acrylic enhanced with mixed media. This body of work was on exhibit at Fleckenstein Gallery in Baltimore for five years. Andrea is currently painting in encaustic, energized by the unpredictability and luminosity of this new medium. She has worked as a muralist/decorative painter since 1995 and continues to do so now on a limited basis. |
Marianne Calenda was raised in Columbus, Ohio, and began her creative journey with a scholarship from the Columbus College of Art and Design’s Saturday studio for high school students. She earned a bachelor’s degree in art with an emphasis in printmaking from Thiel College and a master’s degree from Geneva College which prepared her for a 20-year career in higher education administration. Now retired from her position as VP for Student Life at Elizabethtown College, she paints daily and regularly exhibits her landscapes in Lancaster County, PA, where she resides.Calenda’s work has been included in regional and international juried exhibitions and was most recently recognized by the Touchstone Center for Crafts (Award of Excellence for Plein Air Painting, 2021), the Maryland Federation of Art (Juror’s Award, 2021), and the Lancaster Museum of Art (Second Place, 2020). |